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CASBAA Convention Brings Together the Biggest Wave Makers in the Broadcast industry Quality and relevance of content a key theme at this year’s convention

Hong Kong, 27th October – The annual CASBAA Convention kicked off today
in its new home at the Intercontinental Hotel, Hong Kong. The two-day
convention, with the theme ‘Making Waves’ brought together key industry
players in the broadcast, cable and satellite industry to discuss and debate
the hottest topics and latest developments in the industry today. With the
introduction of OTT and digital broadcast services now an established fact,
key themes of the day focused on creating quality and relevant content, as
well as localization, agile distribution and protection of content.

To kick-start the day, Chief Secretary for Administration for the Hong Kong
SAR Government, Carrie Lam, gave an introductory speech where she
underscored that the Rule of Law and freedom of expression were vital to the
fundamental strength of the HK broadcast industry. She also highlighted that
the HK SAR government believes that investing in creative talent is key to
driving growth of the creative industries and so launched the Create Smart
initiative which supports students in tertiary education focusing on TV or
media studies.

David Shing, the Digital Prophet of AOL, then looked at content consumption
from the audience perspective, highlighting how humans were at the heart of
everything and that “technology changes behavior not needs” when looking at
the key developments in the digital landscape. Also in a world where people
are creating and publishing their own content, it’s important to note that
“creativity still rules over technology” as content is now competing with
popular culture. Li Ruigang, Chairman of China Media Capital, commented
how there was huge demand from China for premium content yet “while
content is important, there is the need to build up a sustainable system to
continue to be able to create more content”. Ruigang also discussed how key
global partnerships such as Warner Bros, Dreamworks, and Legoland were
central to CMC’s strategy of establishing a solid content ecosystem. He also
took the opportunity to announce that his company is buying the China Soccer
League to further advance the company’s content and distribution strategy.

New content platforms in Asia were discussed when Janice Lee from PCCW
gave more detail on the company’s new global Viu OTT platform, announced
just yesterday. She mentioned how the company had to become extremely
agile in turning around their content in multiple languages to stay competitive
as well as beat illegal content, “Windowing has become very important, we
get our content out in multiple languages in just eight hours. Historically this
didn’t happen, which gave room for piracy.” Mike Hyun-dong Suh of CJ E&M
discussed how partnerships were also key to distribution of content, citing a
recent collaboration with Japanese app Naver as an example. He also
illustrated how taking content offline through events was also important to
engage fans. Greg Beitchman from CNN International discussed the need to
have content that worked across all their screens and that this was meeting
with success. “Digital touchpoints are enhancing our appeal rather than
cannibalizing what we do on TV,” he commented. CNNI also commented on
localization, highlighting how it had helped make them “more, not less,
relevant.”

Alon Shtruzman from Keshet Media, creator of Homeland and other key
global formats, maintains that content is, as ever, ‘king’. His company is
starting to look further afield for content and he believes ‘Asia is a goldmine
for content’ though not without some heavy legwork in understanding what
does and doesn’t work in the market.

How to engage with fans with content was discussed by Sam Rogoway, CEO,
Victorious who believed their creation of a community of superfans would
“change the way fans interact and engage with content.” The inception of the
‘passion graph’ would bring together like-minded individuals that would help
drive deeper engagement of content, even when there was no new content
available. Distribution of content was discussed by Gwynne Shotwell,
President and COO, SpaceX who’s company is investigating the feasibility of
launching 4,000 satellites into space with a view to connecting people in
remote areas throughout the planet.

Jay Samit, CEO, from SeaChange took a hard line on the future of the pay TV
business “the pay TV business as we know it is dead. The majority of content
is not linear and we need to adapt quickly or die.” With content now being
accessed increasingly online, it’s possible to work out who’s watching what at
home and provide relevant content based on that. “Pay TV will be completely
data driven,” he added. “With social analytics now shaping content offers, the
bottom line is you will go out of business if you don’t know who your consumer
is.”

Piracy of content was next on the agenda with Mark Mulready of Irdeto
showcasing just how difficult it is to distinguish legal from illegal content sites.
The Police Intellectual Property Crime Unit example from the UK, where an
infringing website list of illegal websites is published and flagged to
advertising brands, was flagged a great initiative to disrupt pirate sites.
“Through working with the advertising industry, we can remove the incoming
revenue to these illegal sites,” commented Det. Chief Supt. David Clark of
City of London Police. It was also agreed that it was everyone’s responsibility
– whether channel or creator – to protect the value of content. Are Mathisen
from Conax AS encouraged all content owners to embrace new technology to
combat content theft.

With piracy followed the issue if regulation where Ajit Pai from the US Federal
Communications Commission and R.S. Sharma from the Telecom Regulatory
Authority of India both agreeing that governments should take a less
restrictive approach to regulation to allow new business models to take shape.
A video note from UK actor and writer, James Corden, now host of the US
The Late Late Show, concluded today’s session at the convention. Corden
discussed how he saw his task was making a brilliant hour of TV every night.
“All we really want to do is make a show that is different and feels fresh every
night. If you think about it from the internet first then you will come unstuck.”
He emphasized the importance of a great creative team and how they try to
innovate with new features constantly to be as entertaining as possible.
Finally when asked if he was tired doing 44 shows a year, he commented “It’s
a luxury to be tired from doing something you love and always dreamt of.”

Sponsors for the CASBAA Convention 2015 include: ABS, Accedo, Akamai,
AMC, APT Satellite, AsiaSat, Asia Television Limited, Brightcove, Conax,
ContentWise, CreateHK, Discovery Networks Asia-Pacific, Eutelsat, France
24, Ideal Group, InvestHK, Irdeto, ITV Choice, Kantar Media, Letv, Lightning,
MEASAT, MediaExcel, One Championship, Patron Spirits, PCCW, PwC, RTL
CBS Asia, Scripps Networks Interactive, SES, TIME NOW, The University of
Chicago Booth School of Business, Time Warner, True Visions, Turner,
TV5Monde and Victorious.

For further information about the CASBAA Convention 2015, please visit
www.casbaaconvention.com.

# # #

About CASBAA
CASBAA is the Asia Pacific region’s largest non-profit media association,
serving the multi-channel audio-visual content creation and distribution
industry. Established in 1991, CASBAA has grown with the industry to
include digital multichannel television, content, platforms, advertising, and
video delivery. Encompassing some 500 million connections within a footprint
across the region, CASBAA works to be the authoritative voice for
multichannel TV; promoting even-handed and market-friendly regulation, IP
protection and revenue growth for subscription and advertising, while
promoting global best practices. For more information, visit www.casbaa.com

—For enquiries, please contact:
Cynthia Wong
Member Relations & Marketing Director
CASBAA
Tel: +852 3929 1711
Email: cynthia@casbaa.com

Amy Chan/ Lucilla Lo
Ogilvy Public Relations
Tel: +852 2884 8421/ +852 2884 8651
Email: amy.chan@ogilvy.com / lucilla.lo@ogilvy.com

SES and Global Eagle Entertainment Doble Capacity in Expanded Inflight Connectivity Deal

LUXEMBOURG, 27 October 2015 – SES S.A. (NYSE Euronext Paris and Luxembourg Stock Exchange: SESG), one of the world’s leading satellite operators, today announced that Global Eagle Entertainment (GEE) (Nasdaq: ENT) a leading provider of content, connectivity, digital media and operations solutions to the travel industry, has signed new multi-year, multi-transponder agreements, doubling its SES satellite capacity, to meet growing global demand for inflight entertainment and connectivity (IFEC) services.

Over the past two quarters, GEE has secured additional SES Ku-band capacity, adding bandwidth on six SES satellites, SES-1, AMC-1, AMC-2, AMC-3, NSS-12 and ASTRA 4A, to connect airline passengers across the globe. Under the expanding relationship with GEE, SES is also providing teleport services, ground infrastructure and its deeply rooted expertise in the aviation and mobility markets.

“GEE continues to expand its global inflight connectivity network with SES capacity to meet the exciting and rapidly expanding needs of airlines and their passengers around the world,” said Dave Davis, CEO of GEE. “Together with SES, its global fleet, and its high throughput satellites (HTS) that will be launched in 2017, GEE is ushering in the next generation of inflight entertainment and connectivity that is already reshaping the passenger experience and the industry as a whole.”

“SES is rapidly expanding and evolving its global fleet to remain at the forefront of fast-growing mobile connectivity demand around the world,” noted Elias Zaccack, Senior Vice President, Commercial, Americas, with responsibility for global mobility solutions at SES. “Our aim is to enable airline passengers to enjoy a superb connectivity experience that is comparable to that on the ground. SES is proud to be part of GEE’s high-quality, high-value service offering to its customer airlines.”

As part of its growing relationship with SES, GEE will also utilise major portions of HTS capacity aboard the SES-12, SES-14 and SES-15 satellites, which are currently under construction and scheduled for launch in 2017. SES-14 and SES-15 offer complementary coverage over busy air travel routes across the Americas and North Atlantic regions, Western Europe, the Caribbean and the Gulf of Mexico, while SES-12 will serve the fast-growing aeronautical market across Asia and the Middle East.

For further information please contact:
Markus Payer
Corporate Communications
Tel. +352 710 725 500
Markus.Payer@ses.com

Follow us on:
Twitter: https://twitter.com/SES_Satellites
Facebook: https://www.facebook.com/SES.YourSatelliteCompany
YouTube: http://www.youtube.com/SESVideoChannel
Blog: http://en.ses.com/4243715/blog
SES Pictures are available under http://www.ses.com/21472913/Our_Pictures
SES White papers are available under http://www.ses.com/18681915/white-papers

About GEE
Global Eagle Entertainment Inc. (Nasdaq: ENT) is a worldwide provider of aircraft connectivity systems, operations solutions and media content to the travel industry. Through the industry’s most comprehensive product and services platform, Global Eagle Entertainment provides airlines with a wide range of in-flight solutions. These include Wi-Fi, movies, television, music, interactive software, as well as portable IFE solutions, content management services, e-commerce solutions and original content development. Serving more than 200 airlines worldwide, Global Eagle Entertainment delivers exceptional quality and value to its customers to help them achieve their passenger experience objectives. The company’s headquarters are located in Los Angeles, California, with offices and teams located in North America, Asia, the Middle East, Europe, Africa, Oceania and South America.
Find out more at: www.geemedia.com.

About SES
SES (NYSE Euronext Paris and Luxembourg Stock Exchange: SESG) is the world-leading satellite operator with a fleet of more than 50 geostationary satellites. The company provides satellite communications services to broadcasters, content and internet service providers, mobile and fixed network operators and business and governmental organisations worldwide.
SES stands for long-lasting business relationships, high-quality service and excellence in the satellite industry. The culturally diverse regional teams of SES are located around the globe and work closely with customers to meet their specific satellite bandwidth and service requirements.
SES holds a participation in O3b Networks, a next generation satellite network combining the reach of satellite with the speed of fibre.
Further information available at: www.ses.com.

Major mainstream brands inadvertently appear on illegal sites across Asia

Major mainstream brands inadvertently appear on illegal sites across Asia
Study reveals that the complex ad ecosystem is not doing enough to protect brand integrity online

Hong Kong, 26th October – Ad networks, major global brands and other players across the online advertising industry need to take more concrete steps to ensure their adverts are not appearing on illegal or criminally exploitative internet sites in Asia, concluded a study released today by Dr. Paul A. Watters of New Zealand’s Massey University. The findings from the study were revealed at an international conference ‘Making Online Advertising Click’ in Hong Kong’s Sheraton hotel today. Hosted by CASBAA, in partnership with the Motion Picture Association and the U.S. Chamber of Commerce, the conference focused on some of the critical legal and safety issues facing the internet today and how brands can inadvertently be associated with crime online.

“Dr. Watters’ study flags some worrying trends in the Asia online advertising landscape,” said John Medeiros, Chief Policy Officer at CASBAA. “Due to the opaque nature of multi-level transactions through online advertising networks, often brands can appear on illegal sites without their knowledge, which not only damages their reputation but brings them perilously close to criminal networks online.”

Speaking through a video to the conference, John Montgomery, Chairman of GroupM Connect North America, commented that online ad risk “really worries our clients, and is eroding confidence in the digital channel. The same people are perpetrating piracy, spreading malware, stealing users’ identities, and launching “botnets” to defraud advertisers through fake clicks. All of what is being discussed is linked. It’s the whole evil thread that runs through the net.”

Medeiros added, “CASBAA hopes that by highlighting how brands are inadvertently exposed to these risks and by sharing best practices from organizations across the world that are taking steps to prevent this, mainstream brands in Asia will have a more comprehensive understanding of how they can protect their integrity online, and governments will understand what they can do to help.”

As part of the conference’s focus on best practices, Det. Chief Supt. David Clark from the City of London Police discussed the formation of the Police Intellectual Property Crime Unit (PIPCU) and its work to develop an Infringing Website List that helps advertisers and agencies differentiate between legal and illegal internet content sites. Illegal sites are placed on the list by the police, which is made available to brands and online advertising networks who have pledged not to advertise on these sites. “It is an ongoing process,” he commented. “With new internet sites springing up all the time, it is a challenge to keep the list of illegal sites current and updated. However, we see this as imperative, not only to protect brands’ integrity, but, more importantly, to prevent the public’s exposure to risk when interacting with illegal sites.”

Chief Inspector Sean Lin from the Hong Kong Police underlined the very real risks to the public from clicking on illegal sites, where ads frequently contain malware, viruses and fraud “phishing” attempts.

The research described by Dr. Paul Watters revealed a selection of online advertising networks that have been placing mainstream ads on the top piracy sites across the region – along with ads for pornography, malware and illegal gambling. His researchers inspected the code of mainstream ads that appeared online to determine which advertising network they came from. The ads came from banks, food suppliers, fashion retailers, oil companies, airlines – a broad range of legitimate industries. “Given the attention to this issue in other parts of the world, we have been surprised to find major Asian advertising networks continuing to place ads on rogue sites,” he commented. “It seems to be a much bigger problem in Asia.”

While there was much discussion about the best way for brands to limit their exposure on illegal internet sites, the conference concluded that an emulation of the UK approach, such as the development of an Asian list of infringing sites, would be a significant first step that would be as useful to advertisers in Asia as it is in Europe.

# # #

Videos for reference

Digital Citizens Alliance video “Good Money Gone Bad” – https://youtu.be/EasHgWfoOck

Internet Advertising Bureau HK video “The Evolution of Online Display Advertising” – http://www.iabuk.net/video/the-evolution-of-online-display-advertising#51eYAfttw9xYGKqz.97

John Montgomery, Chairman of GroupM Connect North America Video Interview – https://youtu.be/1V0lyAsolgU

About CASBAA

CASBAA is the Asia Pacific region’s largest non-profit media association, serving the multi-channel audio-visual content creation and distribution industry. Established in 1991, CASBAA has grown with the industry to include digital multichannel television, content, platforms, advertising, and video delivery. Encompassing some 500 million connections within a footprint across the region, CASBAA works to be the authoritative voice for multichannel TV; promoting even-handed and market-friendly regulation, IP protection and revenue growth for subscription and advertising, while promoting global best practices. For more information, visit www.casbaa.com

—For enquiries, please contact:

Cynthia Wong
Member Relations & Marketing Director
CASBAA
Tel: +852 3929 1711
Email: cynthia@casbaa.com

Amy Chan/ Lucilla Lo
Ogilvy Public Relations
Tel: +852 2884 8421/ +852 2884 8651
Email: amy.chan@ogilvy.com / lucilla.lo@ogilvy.com

Viacom18 announces online content service VOOT

26 Oct, 2015 – Viacom18 Digital Ventures, the digital arm of Viacom18, on Monday announced its latest digital intiative VOOT! to tap the rising demand for online content.

VOOT!, will have access to Viacom18 Media Pvt. Ltd’s content library, including shows aired on their flagship entertainment channel Colors. It will also focus on original content in a big way, said the company.

The online service will compete with Hotstar, Star India’s digital offering launched in February, and Sonyliv, Multi Screen Media’s online entertainment destination.

Read more at Livemint

StarHub TVB Awards 2015

26, Oct 2015 – Singapore – Hong Kong legends Adam Cheng and Liza Wang, two of Hong Kong’s most prolific television actors, received the special commemorative SG50: Star of the Stars Awards at the StarHub TVB Awards. Liza was also crowned My Favourite TVB Actress, beating intense competition in the hotly contested category from leading ladies such as Linda Chung, Kristal Tin and Tavia Yeung. In addition to being an acclaimed actress, Liza also proved her hosting prowess, bagging My Favourite TVB Variety Show Host with co-hosts Adam Cheng and Jerry Lamb in Sunday Songbird. The awards were bestowed upon the artistes in recognition of their abilities to create strong, lasting bonds with Singaporean audiences throughout the past decades…

Read more at OnScreen Asia

Viu OTT debuts in HK

26, Oct, 2015 – Hong Kong – PCCW Media, a key global player of entertainment in Asia, has announced its plan to launch Viu OTT video service, a global innovative Internet video platform. On October 26th, Viu OTT video service will debut in Hong Kong and is set to progressively rollout across Asia including India, and the Middle East…

Read more at Onscreen Asia

Discovery ups local content ante; partners Hrithik Roshan for show on heroes

24 Oct, 2015 To make a bigger push on the local content front, infotainment broadcaster Discovery has tied up with Bollywood actor Hrithik Roshan for a show that celebrates heroes who overcame obstacles and adversity to achieve goals. The nine-part series ‘HRX Heroes with Hrithik Roshan’ will air from Monday to Tuesday at 9 pm from 2 November. The episodes will repeat on weekends at 8 pm.

Read more at Television Post

Star India to contribute greatly to 21st Century Fox’s growth: Rupert Murdoch

23 Oct, 2015 – Star India, the crown jewel in the international business of 21st Century Fox, will contribute greatly to the media conglomerate’s future growth, feel 21st Century Fox executive chairs Rupert and Lachlan Murdoch. Rupert and his son James (21st Century Fox CEO) have time and again praised the company’s India business, guiding that Star India will achieve an operating profit of $500 million by 2018 and $1 billion by end of 2020.

Read more at Television Post

Thinking beyond 2020: Viacom18 Group CEO Sudhanshu Vats at CII’s Big Picture Summit

20 Oct, 2015 – Text of the welcome address by Sudhanshu Vats, Viacom18 Group CEO and Chairman, CII National Committee on Media & Entertainment

Honourable Minister of State for Information & Broadcasting, Shri Rajyavardhan Rathoreji, respected panellists on the dais and valued members of the audience. It is my pleasure to welcome you all to this year’s edition of the Big Picture Summit.

Read more at mxmindia

Disney to Start Direct-to-Consumer Video Service in the U.K.

22 Oct, 2015 – Walt Disney Co. is introducing its first standalone streaming service, a video and music product in the U.K. that highlights the media company’s effort to reach viewers outside of the traditional cable TV package.

DisneyLife, which debuts next month, will feature archived Disney Channel shows, Disney and Pixar films, and music, the world’s largest entertainment company said in a statement Wednesday. It will cost 10 pounds ($15.44) a month and be accessible on home computers as well as mobile and tablet devices.

Disney, like other media companies, is adjusting to a shift in consumer viewing, which includes an explosion in online, on-demand TV on services like YouTube and Netflix Inc. The product, which will be available in five languages initially, will be rolled out to other European markets, Disney said in the statement.

Read more at Bloomberg