News

Gulfsat expands business with Eutelsat

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New capacity contract on EUTELSAT 8 West A to serve Middle East broadcast markets

Paris, 13 June 2012 – Eutelsat Communications (Euronext Paris: ETL) and Gulfsat, a leading service provider and satellite specialist in the Middle East and North Africa, today announced the signature of a new contract for capacity on Eutelsat’s EUTELSAT 8 West A satellite at 8 degrees West. With this new multi-year lease, Gulfsat’s fourth transponder with Eutelsat, the Kuwaiti operator is securing long-term access to satellite resources with premium reach over the Middle East.

Gulfsat already broadcasts more than 40 flagship TV channels from EUTELSAT 8 West A, including MBC Group’s Al Arabiya news channel and Al Arabiya Al Hadath. The additional resources will support further growth at a key reference for Direct-to-Home broadcasting across the Middle East.

Mustafa Mourad, Chief Operating Officer of Gulfsat declared: “We are delighted to pursue our longstanding relationship with Eutelsat that over our five years of collaboration has shown its total commitment to helping Gulfsat grow our broadcast business through high-quality satellite resources. We look forward to further strengthening of viewer choice from EUTELSAT 8 West A”.

Jean-François Leprince-Ringuet, Eutelsat Communications Chief Commercial Officer, said: “This new contract adds further weight to the strong partnerships that Eutelsat nurtures with key players across the Middle East. It opens the door to further development of premium broadcast channels at the 8° West platform whose proximity to our 7° West neighbourhood facilitates Direct-to-Home reception of over 540 TV channels.”

About Gulfsat – (www.gulfsat.com)

Established in 1995 and headquartered in Kuwait, Gulfsat Communications is one of the leaders in the communications service industry and pioneers in satellite communications. Gulsat designs, integrates, installs and provides advanced satellite solutions for enterprises, government organisations, broadcasters and home users. Gulfsat is a subsidiary of United Networks, which is part of KIPCO group, the region’s leading investment group.

About Eutelsat Communications (www.eutelsat.com)

Eutelsat Communications (Euronext Paris: ETL, ISIN code: FR0010221234) is the holding company of Eutelsat S.A.. With capacity commercialised on 28 satellites that provide coverage across Europe, as well as the Middle East, Africa and significant parts of Asia and the Americas, Eutelsat is one of the world’s three leading satellite operators. As of 31 March 2012 Eutelsat’s satellites were broadcasting more than 4,250 television channels, of which 1,100 broadcast via the HOT BIRD video neighbourhood at 13 degrees East which reaches more than 120 million cable and satellite homes in Europe, the Middle East and North Africa. The Group’s satellites also serve a wide range of fixed and mobile telecommunications services, TV contribution markets, corporate networks, and broadband markets for Internet Service Providers and for transport, maritime and in-flight markets. Eutelsat’s broadband subsidiary, Skylogic, markets and operates high speed Internet services through teleports in France and Italy that serve consumers, enterprises, local communities, government agencies and aid organisations in Europe, Africa, Asia and the Americas. Headquartered in Paris, Eutelsat and its subsidiaries employ just over 750 commercial, technical and operational professionals. This culturally diverse staff comprises employees from 30 countries.

For further information

Press

Vanessa O’Connor, Tel: + 33 1 53 98 37 91, voconnor@eutelsat.fr
Frédérique Gautier, Tel: + 33 1 53 98 37 91, fgautier@eutelsat.fr
Marie-Sophie Ecuer, Tel: + 33 1 53 98 37 91, mecuer@eutelsat.fr

Investors & Analysts
Lisa Finas, Tel: +33 1 53 98 35 30,  investors@eutelsat-communications.com
Léonard Wapler, Tel: +33 1 53 98 31 07, investors@eutelsat-communications.com

BBC Knowledge is Singapore’s Top Pay TV Factual Channel during the Queen’s Diamond Jubilee Weekend

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(Singapore, 13 June 2012) … The Queen’s Diamond Jubilee events have proven a hit for BBC Knowledge’s audiences in Singapore.

From the start of the London Calling programming season on June 1, through the Jubilee weekend, to June 5, BBC Knowledge not only achieved the highest share of viewing across all individuals 4+ among the factual set, the channel was also the most watched pay TV channel in Singapore1. In fact, the Queen’s Jubilee Celebrations gave the channel its best performing Sunday-Tuesday performance in terms of share percentage since its launch.

The Singapore premiere airing of three part The Diamond Queen led the way on June 1, taking BBC Knowledge to the number one spot among factual pay TV channels2 for most of primetime (SIN/HK 8 – 11pm). The first and exclusive premiere of Crowning a Queen on Monday June 4 at 8pm, and Days that Shook the World – 1953 Coronation on June 5 at 8pm continued the channel’s winning streak, winning their timeslots among the factual set.

Together with the three live events, Queen’s Diamond Jubilee: Thames River Pageant on Sunday 3 June, the concert and the Services of Thanksgiving and Royal Procession on June 5, BBC Knowledge clinched the number one spot among non-kids, English language pay TV channels in Singapore.

“In 2012, BBC Worldwide embarked on a strategy to deliver global events to global television audiences. BBC Knowledge and BBC Entertainment channels in Asia and around the world aired Sport Relief, Planet Earth Live in March and May. The Queen’s Diamond Jubilee in June was special for us. We are extremely pleased with the performance of BBC Knowledge in Singapore, and are happy that our viewers in Singapore and Asia have enjoyed the Diamond Jubilee events and programmes on BBC Knowledge,” Said Mark Whitehead, SVP and GM of BBC Worldwide Channels in Asia.

The Queen’s Diamond Jubilee events, broadcast live on BBC Worldwide’s channels in all inhabitable continents are part of London Calling, a two month long programming stunt across BBC Knowledge and BBC Entertainment in Asia.

London Calling on BBC Entertainment and BBC Knowledge channels around the world also includes exclusive dramas, comedies and documentaries featuring the best of British talent. Highlights of the season include The Underground on BBC Knowledge, a documentary about the world’s oldest underground train network, and the wickedly funny Twenty Twelve on BBC Entertainment which follows the fictional Olympic Deliverance team as they prepare for the London 2012 games

In Asia, BBC Knowledge is available in Singapore, South Korea, Hong Kong, Taiwan, Thailand, Malaysia and Indonesia.

ENDS

1. Source: Kantar media: non-kids English language channel among all Pay TV channels

2. Among pay TV adults 25+

For further information, please contact:

Jeanne Leong
Communications, BBC Worldwide Channels
Tel: +65 6849 5292
Email: Jeanne.Leong@bbc.com

Notes to Editors:

London Calling airs between June and August on BBC Entertainment (Africa, Poland, the Nordic Region, Asia, India, Latin America and the channel’s pan-European service3), BBC Knowledge (Africa, Poland, the Nordic Region, Italy, Asia and Australia), BBC HD (Latin America, Poland, The Nordic region and Turkey), UKTV (Australia and New Zealand) and BBC World News (global). The season will also be available to users of BBC.com and to users of the global BBC iPlayer but will vary territory by territory.

About BBC Worldwide Ltd.

BBC Worldwide Limited is the main commercial arm and a wholly owned subsidiary of the British Broadcasting Corporation (BBC). The company exists to maximise the value of the BBC’s assets for the benefit of the licence fee payer and invest in public service programming in return for rights. The company has five core businesses: Channels, Content & Production, Sales & Distribution, Consumer Products and Brands, Consumers & New Ventures, with digital ventures incorporated into each business area. In 2010/11, BBC Worldwide generated profits of £160 million on sales of £1158 million and returned £182m to the BBC. For more detailed performance information please see our Annual Review website: www.bbcworldwide.com/annualreview

You can now Click to tweet: BBC Knowledge is Singapore’s Top Pay TV Factual Channel during the Queen’s #DiamondJubilee Weekend http://bbc.in/LwTNoY @BBCKnow

Viaccess-Orca’s Unified Brand Helps Content Service Providers Worldwide Lead and Succeed in the Content Consumption Revolution

Viaccess-Orca combines innovation, agility, reliability and trust to address challenges of content consumption, discovery and protection

PARIS – June 13th, 2012 – As the content consumption market faces a number of technological and business challenges, Viaccess and Orca Interactive announce today they will merge their management structures. This new organization will allow customers to benefit from the strength and expertise of legacy telecommunications combined with the innovative edge of an agile technology company under a single brand.

Over-the-Top (OTT) video, multiple screens and unlimited content are shaking the Pay TV market paradigm. Viaccess-Orca’s future-proof solutions help Pay TV operators leverage their brand’s unique knowledge of subscribers, quality of content and delivery, and strong relationships with content owners into crucial assets to succeed in the TV Everywhere world.

This new organization comes on the heels of France Telecom-Orange’s announcement in March that it will migrate its entire Orange IPTV installed base of 5.1 million subscribers to Viaccess and Orca’s Unified Platform. The new unified brand, Viaccess-Orca, is positioned to take IPTV into the next generation.

Viaccess-Orca provides an extensive range of benefits to content service providers and a wide portfolio of solutions, products and services. These include TV Everywhere, HbbtV solutions, Conditional Access and DRM system, content delivery and content discovery platforms, as well as companion screen applications. One of the most prominent advantages any service provider today needs to gain in this fierce competitive landscape is the ability to quickly deploy new services. Viaccess-Orca offers bundled and end-to-end solutions that enable faster time to market for content service providers.

Based on the companies’ 15 years of combined experience and expertise in both IP and Broadcast domains, service providers enjoy a unique combination that supports their goals to survive and thrive in this highly crowded market. Viaccess-Orca will provide existing and new customers with a rich user experience across a multitude of screens, as well as solid security and content rights management.

The new organization’s approach to designing its solutions takes into consideration both the service providers and the viewers. Parallel to protecting content owners’ rights, which enables services with premium content, Viaccess-Orca also offers easy and intuitive navigation in a variety of content sources.

Utilizing smart algorithms and a variety of parameters, the TV service can guess and anticipate the viewer’s choice of content so that TV becomes a personal rich experience.

Commenting on the new organization, Viaccess-Orca’s CEO, Francois Moreau de Saint Martin, said: “Viaccess-Orca is building upon its longstanding relationships and trust with content service providers to help them manage content on any type of network through go-to-market solutions that enable quick deployment. This approach encompasses an ultimate unified user experience and content discovery, advanced flexible rights management and business models, plus protection against piracy.”

“Our goal is to help our customers differentiate their offering via relevant and personal content consumption, engaging user experience and technological solutions that can easily scale up as the market evolves,” added Haggai Barel, co-founder of Orca Interactive and deputy CEO of Viaccess-Orca.

Viaccess-Orca has local presence in Israel, USA, Brazil, Hong Kong and India, and the headquarter is in Paris, France.

About Viaccess-Orca:

Viaccess-Orca is a game-changing partner for content services providers, thanks to its ability to protect and enhance the value of content services wherever viewers are, and on whatever device they choose to consume content. As technological advancements allow cloud storage and ever increasing bandwidth and content selection, and access to TV content is enabled from a variety of sources and hybrid networks, security threats are growing. With integrated products and scalable, reliable turnkey solutions, PayTV operators gain a competitive edge in this market of unmanaged networks and IP-connected devices.

Since the user experience is a critical success factor for operators today, Viaccess-Orca’s solutions focus on delivering an innovative, consistent experience on all platforms. This unified organization assists operators in creating long-term loyalty on the customer journey to discover, choose and consume content in a secure manner. Viaccess & Orca are France Telecom Group companies. For more information, visit

www.viaccess-orca.com or follow us on Twitter @ViaccessOrca.

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Global Media Contacts:

Atika Boulgaz
+33 (0) 1 44 45 64 60
press-relations@viaccess.com

Sharona Meushar
+972 54 451 7058
sharona@theinkstudio.com

Paulina Wozniak
+31 642 736 696
paulina@theinkstudio.com

StarHub Brings In Top-Rated Business News Channel From China

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China Business Network to debut in Singapore by end 2012

Singapore, 13 June 2012 – StarHub and the Shanghai Media Group (SMG) jointly announced today that the all-business news channel focusing on China – China Business Network, will be launched in Singapore by end 2012. With the upcoming launch, Singapore, through StarHub, will be the first country outside China and Hong Kong to showcase the channel.

CBN, under SMG, is China’s pioneer and main TV channel on professional financial and business information, offering up-to-date and accurate news updates in Mandarin. The introduction of CBN will augment StarHub’s already strong news offerings which include Bloomberg TV, CNBC, CNN and CCTV News. CBN, which will dish out business and financial news from China, will be welcomed by some 1,500 China enterprises based in Singapore, business owners, investors as well as multi-national corporations who are interested in China’s economy. SMG’s exclusive overseas partner, MyChinaChannel will assist with the logistics and production aspects of the network.

StarHub’s Chief Operating Officer, Mr Tan Tong Hai shared, “China is one of the main economic drivers in the world. This tripartite collaboration between StarHub, SMG and MyChinaChannel could not have come at a better time. There is a growing number of Chinese nationals living and working in Singapore and China enterprises operating in Singapore. These key stakeholders will naturally be concerned about what’s happening back home. And of course, CBN will be an invaluable source of information for Singapore businesses with links to China too. Now, they can easily keep abreast of any news updates on China, simply by tuning in to CBN.”

President of SMG, Mr Qiu Xin expressed, “We are confident that this partnership will be a win-win arrangement as we are tapping into StarHub’s wealth of experience and resources with its excellent track record in the pay TV, mobile and broadband arena. Since the channel will be made available to all StarHub TV customers, there will be more eyeballs on the channel without customers having to incur extra cost, which in turn gives CBN higher exposure.”

CEO of Business China, Ms Low Yen Ling said: “Singapore and China enjoy strong and deep ties in business, culture and leadership. Opportunities for mutual cooperation, exchanges and business will continue to grow as China takes its place on the global centre stage. Having a pulse check on developments in China is especially timely, as the global economy enters a challenging period and China prepares for a leadership transition.”

Mr Chan Chong Beng, President of the Association of Small and Medium Enterprises, and Chairman of Goodrich Global Pte Ltd, welcomed the news on the launch of CBN in Singapore. “The Chinese are changing the world. StarHub’s link-up with CBN will serve as a good platform for businessmen in Singapore to react instantly in a rapid changing Chinese environment,” said Mr Chan.

Mr Melvin Ang, Executive Director of MyChinaChannel enthused: “Our three years of hard work and efforts working closely with both SMG China Business Channel and Starhub are paid-off seeing the plan become a reality. We are confident our audience will have more and timely insights on China business news.”

To reach out to busy professionals, StarHub customers can also catch the CBN news updates on-the-go by tuning in online at starhubtv.com and StarHub TV on Mobile. Customers can access CBN via starhubtv.com by subscribing to the TV Anywhere value-added service which is currently complimentary till 31 October 2012, after which it costs $5.25 (incl. GST) to subscribe every month.

Mr Tan added “In this day and age where information is abundant and everywhere, we want to help to get the right content to the right people, quickly. CBN will serve as an important avenue where investors and business owners can retrieve reliable updates on China in an efficient manner.”

Some of CBN’s key programmes include Managing China, CBN Global Link and Insider Insights on Industry and Corporations. These programmes engage viewers in terms of its economic, social and cultural facets and offer useful insights into the business world of China. For more information on StarHub TV, visit www.starhub.com/tv. CBN will be made available to all StarHub TV customers at no additional cost.

Irdeto Cloaked CA Ships 500,000 Units in First Six Months

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Software-based conditional access builds rapid momentum worldwide; Irdeto Cloaked CA the security solution of choice for pay TV operators including Manthan, Thaicom

AMSTERDAM and BEIJING – 13 June 2012 – Irdeto, a global software security and media technology company, today announced that more than 500,000 set-top boxes embedded with Irdeto Cloaked CA were shipped globally in the first six months following its launch at IBC 2011. This figure is expected to increase significantly over the next year, with customers such as Manthan Broadband Services Private Ltd (Manthan) and Thaicom confirming that pay TV operators and broadcasters have realized the efficiency and cost effectiveness of software security-based conditional access (CA).

Irdeto Cloaked CA is a fully-featured, studio-approved and software-based CA solution which makes extensive use of Irdeto’s patented Cloakware technology to provide the best possible protection against hacking, reverse engineering and tampering, enabling pay TV operators to offer premium content to their customers without the complexity and costs associated with the deployment, disposal and swapping of physical smart cards. Using Irdeto Cloaked CA, customers can realize savings of up to 50 percent on the total cost of ownership of a smart card-based CA system with the added benefit of renewable software security and real-time piracy countermeasures. The proven success of Irdeto Cloaked CA demonstrates a major industry shift towards strengthening and future-proofing content security.

Doug Lowther, EVP of Digital TV at Irdeto said: “With pay TV operators and broadcasters facing increased pressure to retain customer loyalty and protect revenues, we developed Irdeto Cloaked CA to relieve the ongoing pain points experienced with smart-card based CA so that our customers can focus on what matters most to them, whether that be increasing subscribers or rolling out multi-screen initiatives. The removal of physical cards from the ecosystem not only reduces business costs, but it greatly improves the overall customer experience.”

Mr. Gurmeet Singh, Director at Manthan, a leading Indian pay TV operator, said: “Irdeto continues to raise the bar for security and cost efficiency. We upgraded to Irdeto Cloaked CA because it significantly lowered our total cost of ownership and allowed us to focus on providing the most compelling pay TV services to our customers. We appreciate that Irdeto has the ability protect the long-term value of our premium programming as we expand and grow.”

“Cloaked CA has enabled us to take advantage of an innovative software security module and smart card alternative to protect our Digital Satellite TV services, especially for high value contents like Live High Definition Sport programs. Irdeto’s solution has provided us with the opportunity to offer premium services to our customers using a highly cost-effective, upgradeable and future-proof conditional access solution,” commented Teerayuth Boonchote, Senior-Vice President Broadcast of Thaicom, a leading Thai satellite operator.

The Irdeto Cloaked CA solution represents a revolution in conditional access technology, not only because it saves operators money and simplifies operations, but because it is the first one-way broadcast conditional access client to gain wide familiarity and trust from Hollywood studios. Achieving this level of conditional access protection in a one-way environment without a smart card requires complex and advanced technologies, and Irdeto Cloaked CA uses technologies such as source code obfuscation, white-box cryptography, temporal and spatial diversification, and complete renewability of the client to ensure its ongoing integrity and maintain dynamic security for the deployment lifecycle of its services.

Before launching in 2011, independent audits on Irdeto Cloaked CA were conducted by industry experts including T-Systems Germany and Farncombe Technology Ltd.

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About Irdeto

Irdeto is the most innovative software security and media technology company in the world. Through its diversified, renewable security, and monetization technologies, the company allows new forms of distribution for broadcast /broadband/mobile entertainment, and for the world’s most popular app, e-stores and consumer devices. Co-headquartered in Amsterdam and Beijing, Irdeto employs about 1,000 people in 25 locations around the world. It is a subsidiary of multinational media group Naspers (JSE: NPN).

For further information about Irdeto please contact:

Bridgit O’Donovan
Waggener Edstrom for Irdeto
Mobile: +65 9675 4562
Email: bodonovan@waggeneredstrom.com

Celestial Tiger Entertainment Expands Reach with Five New Carriage Agreements

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Thirteen channel launches on eight platforms since the formation of the company

Hong Kong (June 13, 2012) – Celestial Tiger Entertainment (CTE), the operator of the largest bouquet of pan-Asian channels dedicated to Asian entertainment, announced today five new carriage agreements. These five new carriage agreements will add up to a total of thirteen channel launches across eight pay TV platforms since the formation of the Company at the end of December 2011. Earlier this year, CTE launched Celestial Movies HD (CMHD) and KIX HD on Astro in Malaysia, Celestial Classic Movies (CCM) on SingTel’s mio TV in Singapore and Thrill on i-Cable in Hong Kong.

The newly-inked deals extend CTE’s channels’ distribution in Indonesia with launches on PT MNC Sky Vision, PT Mega Media, Topas TV, and in the Philippines with Global Destiny Cable and Cablelink. All four of CTE’s primary channel brands are included in the deals: Celestial Movies (CM), the premiere 24-hour Chinese movie channel with the largest distribution footprint among Chinese movie channels; Celestial Classic Movies, featuring some of the best movies in Chinese cinema history, all digitally remastered for optimal picture quality; KIX, the “all action” channel and the home of combat events in Asia; and Thrill, Asia’s only horror, thriller and suspense movie channel.

Todd Miller, President and COO of CTE, said, “The remarkable pace of our expansion is a testament to Celestial Tiger Entertainment’s attractive bouquet of pan-Asian entertainment channels. From action to horror to the latest Chinese blockbusters and legendary classics, CTE has a winning combination of distinctive channels for the Asian pay TV market.”

The new carriage deals concluded are as follows:

Philippines

Global Destiny Cable, one of the largest pay-TV operators in the Philippines, signed agreements to carry CCM, KIX and Thrill. Global Destiny Cable provides direct-to-home cable TV subscription service.

Cablelink operates a cable television system and broadband cable internet in the southern part of Metro Manila. With more than 80 channels on their service, Cablelink will carry KIX and Thrill.

Indonesia

PT MNC Sky Vision, Indonesia’s largest DTH operator, signed a deal to carry CCM on their Indovision and Okevision branded services. PT MNC Sky Vision currently carries CM, KIX and Thrill.

PT Mega Media Indonesia is a pay TV service provider operating under the brand Parabola Orange TV. The direct-to-home satellite pay-TV platform signed a deal for KIX and Thrill. Orange TV currently carries CM and CCM.

Topas TV, the latest entrant into Indonesia’s satellite pay TV business, will carry CM. Operating more than 60 channels, Topas TV will launch their service in the city of Bandung in July, with further launches planned in other major cities in the coming months.

-END-

Media enquiries
Pauline Poon
Celestial Tiger Entertainment
T: 852 2239 6131
E: pauline.poon@celestialtiger.com

About Celestial Tiger Entertainment

Celestial Tiger Entertainment (CTE) is a diversified media company dedicated to entertaining audiences in Asia and beyond. The company focuses on the operation of branded pay television channels, content creation and content distribution targeted at Asian consumers.

CTE operates a powerful bouquet of distinct pay television channels including: Celestial Movies, the most broadly distributed 24-hour Chinese and Asian movies channel in the world; Celestial Classic Movies, the gateway to an unparalleled array of Chinese movie masterpieces; Celestial Movies On Demand, Celestial’s subscription video on demand service; KIX, the ultimate in action entertainment; Thrill, Asia’s only horror and suspense movie channel; and KIX HD, featuring the best of action with a late-night dose of thrillers in high definition.

As one of Asia’s largest vertically integrated entertainment companies, CTE produces original content which complements its channels business. CTE is also the exclusive sales agent of content in all media in Greater China and Southeast Asia from independent Hollywood studio Lionsgate.

Headquartered in Hong Kong, CTE is a joint venture among Saban Capital Group, a leading private investment firm specializing in the media, entertainment and communications industries; Celestial Pictures, a major Asian entertainment company wholly-owned by Astro, the owner and operator of the leading DTH platform in Malaysia; and Lionsgate, the world’s largest independent filmed entertainment studio.

For more information, please visit www.celestialtiger.com.

Discover Channel magazine wins SOPA award for magazine design

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Singapore/Hong Kong, 13 June, 2012 – Discovery Channel Magazine has won the Award for Excellence in Magazine Design, at the Society of Publishers in Asia (SOPA) 2012 Awards for Editorial Excellence. The magazine’s December 2011 issue was recognized at the awards and SOPA’s judges praised its “excellent use of visual images and photography”.

The prize was accepted by Novus Media’s design director, Richard MacLean, at the SOPA 2012 Awards held in Hong Kong last week. On this exciting win, MacLean said, “This was one of the most impactful and reflective issues I’ve worked on. Design is a team effort — and against some amazing titles, this award validates the hard work of the Novus team, and the trust of Discovery Networks Asia-Pacific.”

Tom Keaveny, president and managing director, Discovery Networks Asia-Pacific, said the award, chosen from a total of 578 entries throughout Asia, was further recognition of Discovery Channel’s brand leadership position in providing compelling and high quality content to a fast-growing region. “Discovery Channel Magazine was created to provide additional touch points for our viewers with the TV brand, and to serve as an extension of Discovery Channel’s ability to satisfy their curiosity on a broad range of subjects. We are extremely pleased to be receiving this award, fresh off the magazine’s relaunch,” he said.

The awards were attended by many of the leading news brands in the Asia-Pacific region, including Reuters, the Wall Street Journal, Forbes, The Economist, Bloomberg, International Herald Tribune, TIME, Newsweek, Financial Times, South China Morning Post, The Straits Times and Jakarta Globe. Winning entries came from markets including China, Hong Kong, Singapore, Myanmar, Cambodia, Taiwan and Indonesia.

“This is an exciting prize for Novus Media, and a tribute to the passion and hard work of our whole team, and to our close partnership with Discovery Networks,” said Rosemarie Wallace, chief executive officer of Novus Media Solutions, who also attended the ceremony, with Discovery Channel Magazine editor Luke Clark. “To be given this honour alongside some of the iconic brands in news media, is just amazing,” Clark said. “December’s issue was just our second since our relaunch, and it’s fantastic to get such a strong endorsement of a magazine we’re extremely passionate about.”

Published monthly, Discovery Channel Magazine has a contemporary and movement-heavy design and feel, which stays true to the DNA of the Discovery Channel brand. Since its November relaunch, the magazine carries a new look, and many bold new features — including info-graphics, deep and intense feature treatments, and a fresh and engaging front section.

The winning December 2011 edition covered the usual diverse range of features, highlighted by ‘Nature’s Fury’, an intense summary of the year’s shocking bout of natural disasters, and ‘The Day That Shook Japan’, a close-up look at how the events of March 11, 2011, changed a nation forever. Also amidst the feature mix was a look at the science behind the Large Hadron Collider; an in-depth look at the technical and human dimensions of the world’s coal industry — and a breezy account of the return to well-being of Mozambique’s Quirimbas Islands.

About Discovery Channel Magazine

Mirroring the different genres featured on Discovery Channel, Discovery Channel Magazine covers a wide spectrum of topics within 13 pillars – nature, adventure, marvels, sci-tech, history, the universe, forensics, seekers, survival, info-tech, psychology, and the environment. The editorial delivers a compelling read, with strong injections of humour and emotion.

Discovery Channel Magazine is sold in Australia, Hong Kong, Indonesia, Malaysia, New Zealand, the Philippines, Singapore and Thailand at news stands, and for subscription sales in Bangladesh, Cambodia, China, India, Japan, Korea, Laos, Macau, Nepal, Pakistan, Papua New Guinea, Taiwan and Vietnam. Subscriptions are available at www.discoverychannelmag.com.

Discovery Channel Magazine retails in Australia at A$8.90, Hong Kong at HK$49, Indonesia at IDR60,000, Malaysia at RM14.95, New Zealand at NZ$10.90, the Philippines at PHP250, Singapore at S$8.50, Thailand at THB250 and Rest of Asia at US$10.

About the SOPA Awards for Editorial Excellence

The SOPA Awards for Editorial Excellence 2012 attracted more than 578 entries, from across the Asia-Pacific region, and were decided by 111 independent judges. The Awards were established in 1999, as a tribute to editorial excellence in both traditional and new media, and were designed to encourage editorial vitality throughout the region. They cover a broad range of different categories, reflecting Asia’s diverse geopolitical environment and vibrant editorial scene.

The SOPA Awards are coordinated by a committee of publishing professionals from the business and editorial sectors, and judged by international judges from many of the region’s leading newspapers, as well as consumer and trade magazines, and academics from leading universities. The Awards are supported by a number of international media organisations, including the International Federation of the Periodical Press (FIPP), the World Editors Forum (WEF), and the editorial division of the World Association of Newspapers (WAN). For more information on the SOPA Awards, click here.

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About Discovery Communications

Discovery Communications (NASDAQ: DISCA, DISCB, DISCK) is the world’s leading non-fiction media company reaching more than 1.5 billion cumulative subscribers in 210 countries and territories. Discovery empowers people to explore their world and satisfy their curiosity through 130-plus worldwide networks, led by Discovery Channel, TLC, Animal Planet, Discovery Science and Discovery HD, as well as leading consumer and educational products and services, and a diversified portfolio of digital media services including HowStuffWorks.com. In the Asia-Pacific region, seven Discovery brands reach 537 million cumulative subscribers in 34 countries with programming customised in 15 languages.

About Novus Media Solutions

Novus Media Solutions (Novus) is a Singapore-based custom content and publishing specialist that works on all platforms, from print through to digital and video. With a team of experienced editors as well as an in-house digital arm, Novus works with clients across the Asia-Pacific region on all aspects of the publishing process — content as well as sales, marketing and communications. Founded by Simon Cholmeley and Rosemarie Wallace in late 2009, Novus is a wholly owned subsidiary of Novus Group Holdings.

Contact:

Charles Yap/Ching Yee Wong
charles_yap@discovery.com/chingyee_wong@discovery.com
DID: (65) 6510 7637/(65) 6510 7589

PwC: The end of the digital beginning

THE END OF THE DIGITAL BEGINNING: CHALLENGE FOR MEDIA COMPANIES NOW LIES IN HOW TO IMPLEMENT THEIR DIGITAL STRATEGIES
Digital migration is increasingly playing out differently across the various entertainment and media industry says PwC’s Global Entertainment and Media Outlook 2012

12 June 2012 – Despite ongoing economic uncertainty, the past year has seen global sales of tablets and smart devices reach record levels once again, underlining the growing revenue opportunities from digital delivery of entertainment and media (E&M) content and advertising to increasingly connected, and particularly mobile, consumers.

According to PwC’s annual Global Entertainment and Media Outlook 2012-2016, released today, digital opportunities are now well understood by media companies, advertising agencies and advertisers themselves: the industry is approaching the ‘end of the digital beginning’ as rising comfort levels with digital mean that it is becoming business-as-usual. Although the ‘fog’ experienced in the past few years around strategic options is lifting, there is more to be done: today’s challenge is in the implementation of those digital strategies.

A world of difference 

PwC believes that though the focus may still be on digital migration, challenges for E&M companies differ according to diverging market pictures across segments and geographies. Tipping points and contrasting market development rates highlighted by this year’s Outlook data and analysis show:

  • Global entertainment and media spending on digital advertising and consumer formats increased by 17.6 percent in 2011 compared with only a 0.6 percent rise in non-digital spending. Digital’s share of total spend will grow from 28 percent in 2011 to 37.5 percent in 2016, and digital spending will account for 67 percent of total E&M spending growth to 2016.
  • Digital maturity varies widely at a segment level. For example, global spending on digital recorded music formats will overtake physical distribution in 2015, reaching 55 percent of total revenues in 2016. And global spending on online and wireless video games will overtake console and PC games revenues in 2013. By contrast, the digital component of consumer magazines will account for only 10.4 percent of spending by 2016, up from 3.1 percent in 2011.
  • Global spending on music rose 1.3 percent in 2011, the first gain in many years, thanks to growth in the concert and music festival market and a slower decline in recorded music. Rises in digital music spending mean that overall, global spending on recorded music will finally begin to increase in 2013.
  • Mobile internet access subscriber numbers, a key driver of digital spending, will more than double during the next five years to 2.9 billion by 2016, of which almost 1 billion will be in China. In India, mobile internet subscribers will increase from a low base at a compound annual rate of 50.8 percent to 2016, making it the fastest growth market for mobile internet in the world.
  • By 2016, global mobile internet advertising revenues of $24.5 billion will grow at 36.5 percent compounded annually, to almost match the size of the classified internet advertising market. However, paid search at $78.1 billion and banner/display at $46.6 billion will retain the lion’s share of the market in 2016. China’s mobile internet advertising market will grow at a compound rate of 68.4 percent to reach $6.2 billion in 2016, making it the second largest market in the world behind the United States at $9.4 billion.
  • The newspaper publishing segment illustrates diverging trends across mature and growth economies. There will be ongoing declines in some territories such as the United States (declining 1.4 percent compounded annually to 2016, and expected to be worth 43.8 percent less in 2016 than 2007), but strong growth in countries where the digital infrastructure is less mature, such as Argentina (11.9 percent growth compounded annually to 2016), Indonesia (11.2 percent), and India (9.6 percent).
  • France passed the United Kingdom and Germany in 2011 to become the second largest TV subscriptions market in the world behind the United States, driven by a 76 percent rise in IPTV households. In the TV advertising segment, spending in Russia surged by 20.2 percent in 2011; by 2016, Russia will overtake the UK, Germany, Italy, and France to become the largest TV advertising market in EMEA (Europe, Middle East and Africa).
  • In the worldwide filmed entertainment market, over-the-top/streaming services will grow at a 21.0 percent CAGR to $11 billion in 2016, and will overtake spending through TV subscription providers in 2012.

Marcel Fenez, Global Leader, Entertainment & Media, PwC, said:

“The various segments of the E&M sector are at different stages of digital development, but they are all embracing digital to meet the ever-changing demands of consumers effectively and profitably. Entertainment and media companies have reached what we’re calling the ‘end of the digital beginning': they’ve made the commitment to a digital future, and are now striving to make the necessary changes to their products, distribution and organisations.”

Entertainment and media companies reshape and retool for life in the digital new normal

According to the Outlook, the challenge now for E&M companies in a world where digital is established as ‘business as usual’ – and in those markets where the infrastructure is suitably developed to support digital distribution and consumption – is to focus on planning out and executing their digital strategies. Uncertainty in past years triggered by digital migration is giving way to a sharper focus on identifying, choosing and executing the business models, organisational structures and skill sets to harness new consumer behaviours and deliver rising future value.

  • A finger on the consumer’s pulse

E&M companies need more than ever to understand consumer behaviours and motivations in order to engage with and immerse consumers in their connected, multi-screen environment. Data analytics tools are required to mine the mass of customer data, however the development of such tools may be triggering consumer fears over risks to their privacy. PwC believes that avoiding this will require a shift of industry mindset from ‘customer ownership’, towards facilitating a position where the customer is ‘in control’.

Companies will find that giving consumers more control over how their personal data is used may deliver higher benefits back to consumers, encouraging them to volunteer even more information, as well as providing better value for advertisers and higher rewards for media owners. Businesses need to aim for a win-win model in which the medium, the advertiser and the consumer all collaborate and benefit. Ultimately, the only person who ‘owns’ the customer – and the customer’s data – is the customer him or herself.

  • New roles emerge across the E&M value chain

E&M companies need to identify the role or roles they will occupy as new structures emerge across the digital value chain, and work collaboratively with other providers with complementary capabilities.

According to the Outlook, these roles could include:

  • acting as the online destination or physical auditorium that hosts the customer experience (the ‘venue’)
  • aggregating and filtering consumers’ content requirements (the ‘community curator’)
  • providing exclusive content (the ‘content monopoliser’)
  • being the ‘device developer’
  • acting as the consumer’s trusted content companion across devices (the ‘digital services champion’)
  • being the third-party specialist supporting experimentation, innovation and execution (the ‘ideas generator’)

For creative and media agencies, the rise of unpaid or earned media reflects an innovative new fusion of advertising, content and analytics, and presents an opportunity for sweeping change in their roles and business models. Advancing socialization is feeding into the widely-accepted concept among agencies and advertisers of “bought, owned and earned” advertising. A fourth category is emerging — “managed” advertising, (the orchestrated use of social media, such as engagement via bloggers). Everything that agencies do for their clients now has an embedded digital component and agencies are directing clients’ attention toward output measures such as earned/unpaid media reach, and purchasing intentions.

There are therefore opportunities for agencies to act as digital marketing and brand consultants, guiding their clients with insights into opportunities around the aggregation of data, socialization and content – particularly as the historical distinction between traditional and digital disappears.

  • The benefits of reorganising around digital

To date, many E&M businesses have developed digital as an adjacent operating group, with separate infrastructure, solutions and staff. But in the ‘new normal’, PwC believes that companies need to move away from this siloed approach, instead embedding and integrating their digital operations into the main enterprise, and driving improvements in three key areas: profitability, by reducing operational costs through common platforms and integrated business processes; scalability, gaining greater agility to grow and flex the business; and innovation, through integration, automation and talent.

To realise these benefits, companies will have to tackle challenges around rights, royalties and piracy – areas where many E&M companies are often burdened by rigid, complex, bespoke legacy systems There are additional issues in leading and marshalling the talent and culture of innovation, needed to make digital implementation a reality, particularly in meeting the distinctive employment needs and expectations of the Millennial generation.

Added Fenez:

“As the walls of the silos come down, individuals within these organisations will need to adapt to new performance indicators and operating behaviours or face the risk of being left behind as the digital generation moves past them.”

The end of the ‘digital beginning’ arrives

In the face of sweeping change and uncertainty, the E&M industry has spent the past few years seeking effective business and operating models for the new world, through a cycle of constant experimentation, ongoing innovation and targeted analysis of the results. This will continue. But with digital now at the core of business-as-usual, PwC believes that experimentation and execution are no longer sequential but will proceed in parallel, enabling E&M companies to press ahead into the ‘new normal’ with confidence.

Said Fenez:

“We’ve reached the point at which talking specifically about ‘digital’ increasingly misses the point. As digital becomes the standard, its rising penetration ceases to be a topic for discussion in itself. What matters now is how companies capitalise on it and operate within it.”

ENDS

Key stats from PwC’s Global Entertainment and Media Outlook 2012-2016:

 Global spending: Over the next five years, global spending on entertainment and media is projected to rise from $1.6 trillion in 2011 to $2.1 trillion in 2016, a 5.7 percent compound annual advance. This growth lags some way behind below the projected 6.6 percent compound annual increase in nominal GDP over the same period, reflecting the ongoing shift from higher-priced physical distribution to lower-priced digital distribution.

 Largest 13 E&M markets: There were 13 countries in 2011 with total E&M spending (combined advertising and consumer/end-user revenues) above $25 billion, led by the United States at $464 billion, Japan at $193 billion, China at $109 billion, and Germany at $99 billion. China passed Germany in 2011 to become the third largest E&M market in the world. Of the leading countries, China and Brazil will be the fastest growing with projected compound annual increases of 12.0 percent and 10.6 percent, respectively. Brazil overtook South Korea in 2011 to move into ninth place, and during the next five years will pass Canada and Italy to become the seventh largest market.

 Advertising spending: The most cyclically sensitive E&M spending stream, advertising spending increased by 3.6 percent in 2011. This represented a slowdown from the 7.0 percent gain in 2010 that was augmented by advertising associated with the FIFA World Cup and Winter Olympics, and by the rebound from a sluggish 2009. In spite of growth during the past two years, advertising still remained lower in 2011 than in 2007, the beginning of the Outlook’s reported period. Overall global advertising will increase at a 6.4 percent compound annual rate from $486 billion in 2011 to $661 billion in 2016.

 Advertising segment growth: Internet advertising will be the fastest-growing advertising category with a 15.9 percent compound annual increase, followed by the small video games advertising market, at 11.2 percent. Television advertising will average 6.6 percent compounded annually through 2016, out-of-home advertising will grow at a projected 5.0 percent compound annual rate, followed by radio at 3.8 percent compounded annually. The print segments—newspapers, consumer magazines, trade magazines, and directories—will average less than 3.5 percent compounded annually.

 Consumer/end-user spending: Overall consumer/end-user spending will rise from $802 billion in 2011 to $966 billion in 2016, a 3.8 percent compound annual increase. Video games are expected to rebound and become the fastest-growing segment of consumer/end-user spending during the next five years with a 7.0 percent compound annual increase, followed by TV subscriptions and license fees at 6.2 percent compounded annually. The remaining segments (see notes) will grow at rates of 4 percent or less.

 Internet access spending: Internet access – whether wired or mobile – is not an entertainment and media segment in itself, but is a fee to access content and is a key driver of entertainment and media spending in most segments. Global Internet access spending will rise from $317 billion in 2011 to $493 billion in 2016, a 9.3 percent compound annual increase.

 Mobile Internet access: Spending on mobile access increased from 26 percent of total global Internet access spending in 2007 to 40 percent in 2011 – and will account for 46 percent in 2016, almost catching up with wired access spending.

 Consumer magazines: Overall global spending declined during the past four years, although annual decreases in 2010–11 were less than 1 percent. The market is expected to begin to increase in 2012, averaging 1.3 percent compounded annually to $80 billion in 2016 from $75 billion in 2011.

 Consumer and educational books: global spending on electronic books will rise at a CAGR of 30.3 percent to $20.8 billion in 2016, taking electronic books’ share of total global book spending from 4.9 percent in 2011 to 17.9 percent in 2016.

 Out-of-home advertising: Indonesia, Russia, and India will be the fastest-growing countries for out-of-home spending through 2016, with CAGRs of 11.2 percent, 11.0 percent, and 10.9 percent, respectively.

About the Outlook

PwC’s Global Entertainment and Media Outlook 2012-2016, the 13th annual edition, contains in-depth analysis and historical and forecast data for advertising and consumer/end-user spending in 13 major industry segments across 48 countries. Find out more at http://www.pwc.com/outlook.

Segments covered by the Outlook

Business-to-business, Consumer and educational books, Consumer magazine publishing, Filmed entertainment, Internet access spending: wired and mobile, Internet advertising: wired and mobile, Newspaper publishing, Out-of-home advertising, Radio, Music, Television advertising, TV Subscriptions and license fees, Video games.

Digital Spending

Digital spending consists of broadband and mobile Internet access; online and mobile Internet advertising; mobile TV subscriptions; digital music; electronic home video; online and wireless video games; digital consumer magazine circulation spending; digital newspaper circulation spending; digital trade magazine circulation spending; electronic consumer, educational, and professional books; and satellite radio subscriptions.

About PricewaterhouseCoopers

PwC firms help organisations and individuals create the value they’re looking for. We’re a network of firms in 158 countries with close to 169,000 people who are committed to delivering quality in assurance, tax and advisory services. Tell us what matters to you and find out more by visiting us at www.pwc.com.

“PwC” is the brand under which member firms of PricewaterhouseCoopers International Limited (PwCIL) operate and provide services. Together, these firms form the PwC network. Each firm in the network is a separate legal entity and does not act as agent of PwCIL or any other member firm. PwCIL does not provide any services to clients. PwCIL is not responsible or liable for the acts or omissions of any of its member firms nor

can it control the exercise of their professional judgment or bind them in any way.

Asia Pacific telecom market to fuel IPTV growth

Telecom Lead India (June 12, 2012): Global IPTV subscriptions will increase by 70 percent from 2012 to 2017.

Asia Pacific will have 100 percent growth.

Asia-Pacific region will account for more than 60 percent of total net additions in 2012. The growth will depend mainly on China, India, and other countries with low pay-TV penetration such as Indonesia, Thailand, and Vietnam.

Currently, less than 15 percent of pay-TV subscribers in the region subscribe to high-definition (HD) services.

HD service adoption is highest in North America, followed by Western Europe and the Asia-Pacific.

Read the full story at http://telecomlead.com/inner-page-details.php?id=9669&block=News

Global Brand Strength Survey Finds Viewers Highly Value the FOX and National Geographic Channel Brands

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Large-Scale Consumer Study in 12 Countries was conducted by Millward Brown Optimor, creators of the BrandZ study of Brand Strength and Value.

June 7, 2012 – FOX International Channels (FIC) released the key findings from a major consumer survey of television viewers over the last six months.  The goal of the survey, conducted by Millward Brown Optimor (MBO), was to measure consumer satisfaction with Pay TV services, understand their motivations to subscribe, and gauge levels of brand strength for various Pay Television brands.

The most notable finding of the survey was the high level of brand satisfaction and loyalty that viewers expressed for the two biggest brands in the FIC portfolio: FOX in entertainment, and National Geographic Channel (NGC) in the factual genre.  In Asia, NGC ranks consistently in the top four in terms of brand familiarity.

The survey was conducted in 12 markets with 14,000 respondents, both current and potential pay TV subscribers, in Europe, Asia and Latin America earlier this year by Millward Brown Optimor, the creators of the widely-cited BrandZ study of consumer brands.  MBO, part of Millward Brown, one of the top brand researchers in the world, is the only firm which factors financial value into brand strength findings.

According to Nick Cooper, Managing Director of MBO, “We were struck in the findings at how consumers really do care about brands, not just content. In this global market study, we found that FIC has two major brands in their portfolio that are highly valued by viewers around the world and add significant value to platforms.  Both the National Geographic Channel and FOX would be among the few around the world that can make that claim. The role of strong channel brands is more significant than many in the television business believe.”

“The findings of this survey confirm the leadership of our key brands in their respective genres,” said Zubin Gandevia, Chief Operating Officer, Asia Pacific and the Middle East, FOX International Channels. “The popularity and brand strength of our channels result from our continued efforts to acquire the best content in both the entertainment and factual genres. This has helped FIC to remain the leading general entertainment network in Asia and NGC the dominant factual channel in the region.”

Other key findings of the study:

  • The major factors motivating consumers to subscribe to Pay TV are 1) selection of channels 2) interest in watching more movies and 3) access to international programs.  
  • The majority (65%) of subscribers to Pay TV are satisfied with their experience, while only 39% of those with only Free TV are satisfied. 
  • Viewers desire greater connectivity and greater control over their viewing, valuing On-Demand Services, DVR capabilities, Internet Access to Content and Multi-Screen Multi-Room Capability
  • FOX International Channels had three of the survey’s five top brands in familiarity: FOX, NGC and FOXLife.
  • NGC ranked as the #1 brand in familiarity in Malaysia, Indonesia, Taiwan and India.
  • STAR World ranks within the top five in brand familiarity in Malaysia, Indonesia, Taiwan and India.

When it came to the issue of how viewers valued international content vs. local content, those markets seeking more international content were largely those experiencing more rapid economic growth, generating an appetite for new and different programming than what has traditionally been offered. Those markets include Brazil, Indonesia, Malaysia and Mexico. The one outlier here was India, where there continues to be a preference for locally produced programming.  Despite those differences, there was not a single market in the study where respondents did not say that innovative programming is the number one factor that determines a good channel.

About FOX International Channels
FOX International Channels (FIC) is News Corporation’s international multi-media business. We develop, produce and distribute 350 wholly- and majority-owned entertainment, factual, sports and movie channels across Latin America, Europe, Asia and Africa, in 37 languages. These networks and their related mobile, non-linear and high-definition extensions reach over 1.1 billion households worldwide. We also operate a global online advertising unit  .FOX (“dot-fox”) specialized in online video and display, and four TV production houses.

In Asia, FIC operates or distributes 32 channel brands, including the FOX, STAR and National Geographic brands, with over 100 feeds across 14 markets, As the leading pay-TV network in the region, FIC reaches more than 550 million cumulative subscribers across Asia Pacific and the Middle East with offices in Hong Kong, China, Taiwan, Japan, Korea, Singapore, Malaysia, Indonesia, Philippines, Thailand, Vietnam, India, Australia, New Zealand and the UAE. For more information, please visit www.foxinternationalchannels.com.

For more information or to arrange an interview, please contact:

Fleishman-Hillard
Cedric Vanhaver      
Tel: +852 2111 5853
Email: cedric.vanhaver@fleishman.com  

Shirley Lam
Tel: +852 2111 3171
Email: shirley.lam@fleishman.com

FOX International Channels
Kelly Jang 
Tel: +852 2621 8875
Email: kelly.jang@fox.com